TSUJI GA HANA / Cotton and Linen Scarf
Color / Yellow and Multi-color Care Instruction
Japanese name/ 辻が花 (Tsujigahana)
-ABOUT-
The “tsujigahana” pattern first emerged in 15th century Japanese literature. It is described as being the oldest dyeing method from the Nara-era, the capital of Japan before Kyoto; and consists of making tiny stitches which are pulled within a pattern and then dyed. The patterned areas are distinctly made to look as though they are using torn pieces of paper.
In the form of luxurious kimono, tsujigahana was often further embellished with the addition of real gold leaf and embroidery.
In this cotton and linen scarf, Pagong has replicated the patterning of tsujigahana by using the method of Kyoto-Yuzen.
・75 x 20 (inches)
・Cotton 85% / Linen 15%
・Kyo-Yuzen (Kimono dyeing-process)
・Made in Japan
・Dry-clean or Hand-wash gently.
Color / Yellow and Multi-color Care Instruction
Japanese name/ 辻が花 (Tsujigahana)
-ABOUT-
The “tsujigahana” pattern first emerged in 15th century Japanese literature. It is described as being the oldest dyeing method from the Nara-era, the capital of Japan before Kyoto; and consists of making tiny stitches which are pulled within a pattern and then dyed. The patterned areas are distinctly made to look as though they are using torn pieces of paper.
In the form of luxurious kimono, tsujigahana was often further embellished with the addition of real gold leaf and embroidery.
In this cotton and linen scarf, Pagong has replicated the patterning of tsujigahana by using the method of Kyoto-Yuzen.
・75 x 20 (inches)
・Cotton 85% / Linen 15%
・Kyo-Yuzen (Kimono dyeing-process)
・Made in Japan
・Dry-clean or Hand-wash gently.
Color / Yellow and Multi-color Care Instruction
Japanese name/ 辻が花 (Tsujigahana)
-ABOUT-
The “tsujigahana” pattern first emerged in 15th century Japanese literature. It is described as being the oldest dyeing method from the Nara-era, the capital of Japan before Kyoto; and consists of making tiny stitches which are pulled within a pattern and then dyed. The patterned areas are distinctly made to look as though they are using torn pieces of paper.
In the form of luxurious kimono, tsujigahana was often further embellished with the addition of real gold leaf and embroidery.
In this cotton and linen scarf, Pagong has replicated the patterning of tsujigahana by using the method of Kyoto-Yuzen.
・75 x 20 (inches)
・Cotton 85% / Linen 15%
・Kyo-Yuzen (Kimono dyeing-process)
・Made in Japan
・Dry-clean or Hand-wash gently.
