Color / Navy and Multi-color Care Instruction
Japanese name / 百合と露芝 (Yuri to Ro )

-About-

Japan is famously known as the land of lilies, which have thrived in its mountains and fields since the Manyo period. The bulbs, referred to as lily roots, consist of overlapping, fleshy, scale-like leaves. The name "lily" is thought to originate from the way these leaves gather together, with some theories suggesting it comes from the flower's graceful sway in the wind. Lilies have been appreciated for centuries, but realistic motifs are mainly found in Noh costumes from the Momoyama period.

As Western flowers gained popularity in the late Meiji period, sketch-like designs began to emerge, and by the Taisho period, lilies started to appear on kimonos.

This style often depicted lilies in a realistic yet simplistic manner, emphasizing their elegance. The Japanese aesthetic values the fleeting beauty of morning dew. The "dew grass" pattern features layered grass shapes adorned with dewdrops, capturing a quintessential Japanese sentiment. The saying "walking like a lily flower" highlights the flower’s dignified beauty, evoking images of misty fields with graceful lilies swaying in the breeze. Wearing this pattern of lilies and dew grass offers an ultimate expression of elegance.

・Cotton 75% / Rayon 25%
・Made in Japan
・Hand-wash
・Model ( 5 feet, 3 inches )

Currency : US Dollar (USD)

Color / White and Multi-color Care Instruction
Japanese name / 風景画 (fukeiga)

-About-

From ancient times, beautiful artistic patterns on kimono have reflected a delicate sensibility with nature. Fukeiga or “Japanese Mountain Landscape” is no exception, which celebrates forested mountains, and a river with turtles and ducks which are meant to bring back idyllic childhood memories of childhood. In short, a desirable place for one to live!

・Cotton 75% / Rayon 25%
・Made in Japan
・Hand-wash
・Model ( 5 feet, 3 inches )

Currency : US Dollar (USD)

Color / White and Multi-color Care Instruction
Japanese name / 波に兎 ( Nami ni usagi )

-About-

In Japan, rabbits are known as “messengers from the gods, or “kami”, and represent intelligence, prosperity, and moving forward especially in new directions.

In this dynamic, fun-loving pattern, rabbits are seen frolicking with “standing waves”, or “seigaha” taking on an even deeper traditional meaning representing surges ofgood fortune, power against adversity, and resilience.

・Cotton 75% / Rayon 25%
・Made in Japan
・Hand-wash
・Model ( 5 feet, 3 inches )

Currency : US Dollar (USD)

Color / Gray and Multi-color Care Instruction
Japanese name / 彩り菊蔦文様 ( Irodori Kikutsuta monyo )

-About-

The colorful chrysanthemum and ivy pattern beautifully combines the elegance of the chrysanthemum with the vitality of ivy, resulting in a design that exudes sophistication and refinement. This pattern is particularly popular on women's kimonos, obi, and various Japanese accessories, as it creates a noble and aesthetically pleasing appearance.

The chrysanthemum symbolizes "nobility" and "elegance," while ivy represents "vitality," "prosperity," and "growth." The harmonious combination of these two plants is considered auspicious, making it a favored choice for kimonos and obi worn during celebratory occasions such as weddings, coming-of-age ceremonies, Shichigosan, and school entrance ceremonies.

The chrysanthemum and ivy pattern is especially prevalent on women's "furisode" and "homongi" kimonos, which are worn during significant events. This pattern not only adds a gorgeous and noble impression but also carries with it wishes for good luck and prosperity.

・Cotton 75% / Rayon 25%
・Made in Japan
・Hand-wash
・Model ( 5 feet, 3 inches )

Currency : US Dollar (USD)

Color / Purple and Multi-color Care Instruction

Japanese name/ 菊に常盤木 - Kiku ni Tokiwagi

-About-

Chrysanthemums are known as a quintessential flower of autumn, admired for their refined beauty and graceful presence. They have long been associated with longevity, vitality, and enduring elegance, making them a beloved motif in seasonal design.

Pine, also known as tokiwagi (evergreen), is a symbol of resilience and continuity. Remaining green throughout the changing seasons, it represents unwavering strength and the idea of permanence. Because of this, pine has been cherished as an auspicious motif, often used to convey wishes for stability and long-lasting prosperity.

In this design, chrysanthemums are depicted with long, slender petals that stretch upward with a sense of quiet movement. Their delicate, flowing form adds refinement and a subtle dynamism to the composition.

The pattern itself is expressed in a simple and balanced style, allowing each element to stand out while maintaining overall harmony. The pairing of chrysanthemums and evergreen pine creates a meaningful contrast—soft elegance alongside steadfast strength.

Together, these motifs embody a wish for longevity, resilience, and a life that remains vibrant through the passage of time.

・Cotton 95% / Silk 5%
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color / Beige and Green Care Instruction

Japanese name/ 燕子花 (Kakitsubata)

-About-

This exquisite pattern was inspired by a work of art in the collection of the Metropolitan Museum of Art in New York called “Irises at Yatsuhashi (Eight Bridges)”, a pair of six-panel folding screens or “byobu” by Japanese artist Ogata Korin (1658-1716) of the Rimpa school. Born and raised in Kyoto, Korin became an official painter for the royal court in 1701, with Irises being painted just after receiving this honor.

Korin’s focus on irises seems to have many hidden meanings which stem from Japanese literature written over 1,000 years ago; telling of the noble class putting the iris in high regard due to its purple color, which could purify negative energies, and protect those who wore it. The flower was also believed to bring happiness and good fortune, as well as symbolize wisdom, hope, trust, and valor; therefore becoming a pattern which is often seen used on ceremonial kimono.

We are delighted to have been given official permission to use this extraordinary painting from the Metropolitan Museum of Art in New York, to which Pagong has implemented the dye technique of Kyoto Yuzen.

・Cotton 95% / Silk 5%
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color / Blue Care Instruction

Japanese name / ( 大輪菊 ) Dairingiku

-About-

Kiku, or chrysanthemums, were introduced to Japan from China in the Nara-era ( 710-794 ). In Japan, the chrysanthemum has become a symbol for the emperor and appears on the Japanese imperial seal. In the language of flowers, the chrysanthemum carries the symbolic meaning of devoted love, loyalty, happiness, longevity, and joy.

・Cotton 95% / Silk 5%
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color/ Beige Care Instruction

Japanese name / 燕子花（Kakitsubata）

-About-

This exquisite pattern was inspired by a work of art in the collection of the Metropolitan Museum of Art in New York called “Irises at Yatsuhashi (Eight Bridges)”, a pair of six-panel folding screens or “byobu” by Japanese artist Ogata Korin (1658-1716) of the Rimpa school. Born and raised in Kyoto, Korin became an official painter for the royal court in 1701, with Irises being painted just after receiving this honor.

Korin’s focus on irises seems to have many hidden meanings which stem from Japanese literature written over 1,000 years ago; telling of the noble class putting the iris in high regard due to its purple color, which could purify negative energies, and protect those who wore it. The flower was also believed to bring happiness and good fortune, as well as symbolize wisdom, hope, trust, and valor; therefore becoming a pattern which is often seen used on ceremonial kimono.

We are delighted to have been given official permission to use this extraordinary painting from the Metropolitan Museum of Art in New York, to which Pagong has implemented the dye technique of Kyoto Yuzen.

・100% Polyurethane
・Made in Japan
・Dry-clean
・Use pressing cloth to iron
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color / Grey and Multi-color Size Chart

Japanese name / 花車と宝尽くし (Hanaguruma to Takazukushi)

-About-

This design is inspired by a formal kimono pattern for young women from the early Showa era. It features a flower cart overflowing with seasonal blossoms and symbolic treasures.

At its center is the peony, often called the “king of flowers” for its rich and elegant beauty. Traditionally, the peony represents wealth, nobility, and prosperity. It is also associated with the wish for a fortunate marriage and a life of abundance.

The flower cart, filled with blossoms and treasures, expresses a parent’s heartfelt hope that their daughter will grow to live a life as beautiful, graceful, and prosperous as the flowers themselves.

・Material: (Patterned part) 100% cotton (Solid part) 70% rayon, 30% cotton
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color / Navy and Multi-color Size Chart

Japanese name / ( けし ) Keshi

-About-

The poppy blooms from April to June, and its beautiful flower and shape of fruit, make it an ideal subject for kimono design. This pattern has a painterly feel, depicting a poppy blowing in the wind with rich expression and careful attention to detail.

・Material: (Patterned part) 100% cotton (Solid part) 70% rayon, 30% cotton
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color / White and Multi-color Size Chart

Japanese name / ( 大輪菊 ) Dairingiku

-About-

Kiku, or chrysanthemums, were introduced to Japan from China in the Nara-era ( 710-794 ). In Japan, the chrysanthemum has become a symbol for the emperor and appears on the Japanese imperial seal. In the language of flowers, the chrysanthemum carries the symbolic meaning of devoted love, loyalty, happiness, longevity, and joy.

・Material: (Patterned part) 100% cotton (Solid part) 70% rayon, 30% cotton
・Made in Japan
・Hand-wash

Currency : US Dollar (USD)

Color/ Blue and Beige Care Instruction

Japanese name / 玉蜀黍（Toumorokoshi）

-About-

Rooted in the earth and growing straight in the sun, corn is depicted as a symbol of harvest and life. Its neat rows of golden grains evoke the order and abundance of nature, each one seemingly conveying the breath of the earth. The supple curves of the leaves rustling in the breeze and the soft flow of the stalks enveloping the kernels evoke both the strength and gentleness of life, quietly speaking to the beauty of nature's woven forms. Corn was introduced to Japan during the Edo period, initially attracting people's attention as a rare imported crop. Its simple yet powerful appearance eventually blended with the Japanese climate, and by the Meiji and Taisho periods, it was incorporated into textiles and decorative designs as a new natural motif. Though a plant from a foreign land, its shape evokes a sense of nostalgia, and it became a beloved symbol of harvest alongside rice and wheat. Designers discovered a modern sense of beauty in the unique shape, arrangement of grains, and overlapping leaves. They went beyond the realism of nature to project the power of life within abstract rhythms and compositions. Corn depicted as a pattern on kimonos and obi is not simply a plant, but is expressed as a new natural beauty that embodies the spirit of the times and the hopes of the people. This pattern is imbued with joy for the fruitful season and a deep respect for nature. Born from the earth, illuminated by the sun, and eventually bearing fruit, it is also a symbol of the cycle and connection of life. This pattern exudes a sense of undeniable power and warmth in its quiet presence, gently conveying the beauty of humans and nature living together. It is a pattern that makes you feel that nature is at its most artistic.

・100% Polyurethane
・Made in Japan
・Dry-clean
・Use pressing cloth to iron
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color/ Pink and Multi-color

Japanese name / さくら　(Sakura)

-About-
Sakura, or cherry blossoms, are Japan’s national flower in the hearts of the people. Every spring, throngs of Japanese people and visitors make efforts to see this well-loved flower, a tradition known as “hanami”, a flower-viewing and picnic event to enjoy the blossoms.

Widely celebrated in Japanese literature, poetry, and art, sakura carry layered meanings. For example, because they bloom briefly, the blossoms are often seen as a metaphor for the ephemeral beauty of living. The brilliant blooming season is powerful, glorious, and intoxicating, but short-lived, a visual reminder that our lives, too, are fleeting.

The joyful tradition of hanami is an old and ongoing tradition, and can be traced back centuries in Japanese culture. The eighth century chronicle Nihon Shoki records hanami festivals being held as early as the third century AD.

The style of this painting is from the Maruyama school of the Edo era (1603-1868).

・Size：7.8 x 5 x 0.6 inch
・Belt ：47 inch
・Made in Japan
・Currency : US Dollar (USD)

Color / Navy and Multi-color Care Instruction

Japanese name/ 薬玉

-About-
In traditional Japanese culture “Kusudama” have been used since ancient times as an amulet to ward off negativity and protect one from harm.

Its name comes from a combination of two Japanese words “kusuri” which means medicine, and “tama” or “dama” which means ball.

This fragrant protective amulet is made using a selected blend of flowers, incense, and medicinal herbs shaped into a ball, then displayed with the sole purpose of welcoming in healing, purification, and wellness.

・Size：17 x 16 x 2 inch
・Material：cotton 100%
・Made in Japan
・Currency : US Dollar (USD)

Color / Violet and Multi-color Care Instruction

Japanase name / 牡丹 ( Botan )

-About-

Peonies were known as the "king of flowers" for their gorgeous appearance and popularity. They were introduced to Japan during the Nara period, and in the Heian period, they were cultivated in the imperial court and temples as ornamental plants. During the Edo period, the cultivation method became widespread, and as they became familiar with the common people, they began to be widely depicted on kosode and other items. Peony is also known as the "flower of wealth and honor" and is loved as a symbol of wealth and honor. The peony pattern, which symbolizes the acquisition of wealth, is filled with hopes and aspirations for prosperity.

・Size：17 x 16 x 2 inch
・Material：cotton 100%
・Made in Japan
・Currency : US Dollar (USD)

Color /Pink and Multi-color Care Instruction

Japanese name/ <枝垂れ桜> Shidare-zakura

-About-

This pattern dates back to the Showa era. It depicts the elegant and lustrous form of a weeping cherry tree. The branches are treated like vertical stripes, and the cherry blossoms are stylized, creating a modern weeping cherry tree pattern.
Until the Manyo period, "flowers" meant "plum blossoms," but by the Heian period, cherry blossoms were beloved by aristocrats, and "flowers" came to mean "cherry blossoms." Cherry blossoms have captivated people's hearts from the Heian period to the present day.
In ancient times, trees with drooping branches were believed to house divine spirits. In some regions, weeping cherry trees were not considered appropriate for planting near ordinary private homes and were instead planted within temple grounds.

・Size：17 x 16 x 2 inch
・Material：cotton 100%
・Made in Japan
・Currency : US Dollar (USD)

Color /Pink and Multi-color Care Instruction

Japanese name/さくら (Sakura)

-About-
Sakura, or cherry blossoms, are Japan’s national flower in the hearts of the people. Every spring, throngs of Japanese people and visitors make efforts to see this well-loved flower, a tradition known as “hanami”, a flower-viewing and picnic event to enjoy the blossoms.

Widely celebrated in Japanese literature, poetry, and art, sakura carry layered meanings. For example, because they bloom briefly, the blossoms are often seen as a metaphor for the ephemeral beauty of living. The brilliant blooming season is powerful, glorious, and intoxicating, but short-lived, a visual reminder that our lives, too, are fleeting.

The joyful tradition of hanami is an old and ongoing tradition, and can be traced back centuries in Japanese culture. The eighth century chronicle Nihon Shoki records hanami festivals being held as early as the third century AD.

The style of this painting is from the Maruyama school of the Edo era (1603-1868).

・Size：17 x 16 x 2 inch
・Material：cotton 100%
・Made in Japan
・Currency : US Dollar (USD)

Actual items may look slightly different than their photo depending on cutting.

・Silk 100%　

・Dyeing method-Kyo-Yuzen
・Made in Japan
・Currency : US Dollar (USD)

Color/ Yellow and Golden

Japanese name/ 金魚すくい (Kingyo Sukui)

-About-

This pattern depicts small goldfish swimming gracefully and gently. Goldfish are used as a subject for summer kimonos, as they represent the scenery of summer. They give off a feeling of coolness. Their cuteness also makes them popular for children's kimonos.

Goldfish lay many eggs at once, so they are also a prayer for fertility, making them very auspicious creatures.

Actual items may look slightly different than their photo depending on cutting.

Actual items may look slightly different than their photo depending on cutting.

・Cotton 100%　Nylon 100%(Lining)

・SIZE ( inches)
Height 4.3
Maximum width 6.7
Depth 4

・Dyeing method-Kyo-Yuzen
・Made in Japan
・Currency : US Dollar (USD)

Color/ Orange and Multi-color

Japanese name/ おもちゃ (Omocha)

-About-

This is a pattern from the early Showa period. It is a kimono for girls. It features a variety of nostalgic toys.
Taiguruma (fish-snake wheel), Kazaguruma (windmill), Inuguruma (dog-drawn cart), Hina dolls, Den-den taiko drums, Sho flutes, Hagoita (battledore), Koma (top), Buriburi (buri-buri), Hoko (floor), etc. There are many more fun toys. It is a celebratory pattern that prays for the healthy growth of children.

The Kara Uchiwa fan with a chrysanthemum pattern originates from a Chinese story, "Kikujido." It is said that Kikujido lived in a valley deep in the mountains, and lived to be hundreds of years old as a child by drinking the valley water that dripped from the morning dew on the chrysanthemum leaves. It is immortal youth and longevity. The instruments are den-den drums, sho flutes, bells, and buri-buri... musical instruments. The musical instruments are ohayashi, which make sounds to call the gods. Musical instruments are auspicious things that invite the blessings of the gods. The crown with plum blossoms on it means success in life by demonstrating literary talent, according to a Chinese story. The kocho (butterfly) is a costume worn by children in gagaku when they dance at Buddhist events to appease the souls of the dead.
There is also a chapter on the kocho in the Tale of Genji, which depicts the elegant life of the dynasty and derives an image of wealth.
Since it is New Year's Day that people wear formal attire, there are also hagoita and tops, which are New Year's toys. There are also treasures . You can see jewels, gold bags, scrolls, weights, raincoats, rhinoceros horns, cloves, and seven treasures. These patterns are filled with the love of parents who wish for their children to live healthy, wealthy, and spiritually rich lives.

Actual items may look slightly different than their photo depending on cutting.

・Cotton 100%　Nylon 100%(Lining)

・SIZE ( inches)
Height 4.3
Maximum width 6.7
Depth 4

・Dyeing method-Kyo-Yuzen
・Made in Japan
・Currency : US Dollar (USD)

Color/ Black and Multi-color

Japanese name/ 草花文様 (Souka Monyo)

-About-

This pattern incorporates a variety of flowers and plants.
The various plants and flowers are depicted very realistically, and the background to this realistic pattern being used for kimono patterns is closely related to Yuzen dyeing.

The history of Yuzen dyeing dates back to the Edo period.
It is said that Yuzen dyeing was founded in the mid-Edo period by Miyazaki Yuzensai, who painted fan pictures in front of the Chion-in Temple in Kyoto. Before the appearance of Yuzen dyeing, there were only limited ways to create patterns on fabric, such as embroidery, attaching foil, tie-dyeing, and dyeing with boards.
Compared to these existing methods, Yuzen dyeing was a revolutionary technique that allowed you to dye fabric with any pattern you wanted, just like painting a picture. Also
, since Miyazaki Yuzensai was originally a fan-painting artist, the patterns drawn in Yuzen dyeing had beautiful compositions and a playful spirit.
Based on this history of Yuzen, various kimono designs have been created to this day.

Actual items may look slightly different than their photo depending on cutting.

・Cotton 100%　Nylon 100%(Lining)

・SIZE ( inches)
Height 4.3
Maximum width 6.7
Depth 4

・Dyeing method-Kyo-Yuzen
・Made in Japan
・Currency : US Dollar (USD)

Japanese name/ 向い鶴菱 (MUKAI TSURUBISHI)

-About-

In this pattern two facing cranes, a male and female, are depicted within a rhombus shape. The rhombus shape is symbolic of the pine tree, an auspicious symbol. The cranes are believed to be a couple committed to protecting one another. Both the crane and pine, are symbols often matched together representing the wish of the couple for a long life of eternal youth.

Actual items may look slightly different than their photo depending on cutting.

・Size：8.2 x 5.7 x 1.7 inch
・Belt ：47 inch
・Made in Japan
・Currency : US Dollar (USD)

Color/ Pink and White

Japanese name/ 撫子と松葉

-About-

A pattern with scattered needle-like pine needles is called Matsubachirashi. This pattern features dianthus and bush clover flowers painted on top of scattered pine needles.

Dianthus, also known as Kawara Nadeshiko or Yamato Nadeshiko, is a flower beloved as one of the seven autumn herbs.

Pine is sometimes used as a pun on the word "wait". Perhaps a young, pretty woman like the dianthus is waiting for a wonderful man to appear.
Hagi is one of the seven autumn herbs, and is one of the flowers that is often mentioned in poems in the Man'yoshu. With its cute oval leaves and its branches full of pretty butterfly-shaped flowers in crimson purple and white, hagi is one of the autumn herbs that often appears as a kimono pattern.

Actual items may look slightly different than their photo depending on cutting.

・Cotton 100%　Nylon 100%(Lining)

・SIZE ( inches)
Height 4.3
Maximum width 6.7
Depth 4

・Dyeing method-Kyo-Yuzen
・Made in Japan
・Currency : US Dollar (USD)

Color/ Black and Multi-color

Japanese name/ 草花文様 (Souka Monyo)

-About-

This pattern incorporates a variety of flowers and plants.
The various plants and flowers are depicted very realistically, and the background to this realistic pattern being used for kimono patterns is closely related to Yuzen dyeing.

The history of Yuzen dyeing dates back to the Edo period.
It is said that Yuzen dyeing was founded in the mid-Edo period by Miyazaki Yuzensai, who painted fan pictures in front of the Chion-in Temple in Kyoto. Before the appearance of Yuzen dyeing, there were only limited ways to create patterns on fabric, such as embroidery, attaching foil, tie-dyeing, and dyeing with boards.
Compared to these existing methods, Yuzen dyeing was a revolutionary technique that allowed you to dye fabric with any pattern you wanted, just like painting a picture. Also
, since Miyazaki Yuzensai was originally a fan-painting artist, the patterns drawn in Yuzen dyeing had beautiful compositions and a playful spirit.
Based on this history of Yuzen, various kimono designs have been created to this day.

Actual items may look slightly different than their photo depending on cutting.

・Size：8.4 x 10.8 x 3.7 inch
・Belt ：30～55 inch
・Made in Japan
・Currency : US Dollar (USD)