Color / Blue and Multi-color

‍Size Chart‍ ‍ ‍Care Instruction

Japanese name/ CHOJUKABOKUZU / JAKUCHU ITO

-About-

Jakuchu Ito (1716 to 1800) was raised in the Nishiki area of Kyoto during the “golden age of art” of the Edo era, before Japan opened its doors to the outside world.

Jakuchu was self-taught, and passionate about painting from childhood. A student of Buddhism at the Shokoku-ji zen monastery, he devoted himself to the art of painting, taking inspiration from classic Chinese paintings from the Yuan and Ming dynasties.

With nature as his teacher, he also began making thorough sketches of all natural phenomena, eventually establishing his own richly colored style of painting, as portrayed here in his “Birds,Animals, and Flowering Plants in an Imaginary Scene”, originally a pair of six-panel folding screens.

This timeless expression of flora and fauna is a testament to Jakuchu Ito’s originality and genius. It is comprised of roughly 43,000 squares within each of the painting’s panels. Animal figures within the scene are alive and alert showing their true nature in a style characteristic of Jakuchu.

At Pagong, in celebration of the 300th anniversary of the birth of Jakuchu Ito, we wish to breathe new freshness into these extraordinarily detailed depictions of plants and animals with the use of a kimono dyeing technique called Kyo-Yuzen.

~A collaboration with Idemitsu Museum of Arts.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / Black and White

Size Chart ‍Care Instruction

Japanese name/ 甲州石班澤 (Koshu Kajikazawa)

-About-

At the age of seventy, with a career of over 50 years experience making traditional woodblock prints, Katsushika Hokusai (1760-1849),undertook making his now-famous series “Thirty Six Views of Mount Fuji”, honoring the most spiritual and sacred mountain in all Japan. The traditional technique he used was most common at the time, ukiyo-e, literally meaning “pictures of the floating world”.

“Koshu Kajikazawa”, is the name of a place between Tokyo and Kyoto where two rivers meet, the 14th print of the series, which we the viewer have the pleasure of seeing through Hokusai’s eyes.

In this masterpiece, the fisherman’s pose intentionally reflects the shape of Mount Fuji in the background, an example of Hokusai’s “signature” compositional genius, no doubt contributing to Hokusai becoming the most renown and respected Japanese artist of all time.

We have been been given official permission to use this extraordinary woodblock print from the Metropolitan Museum of Art in New York , to which Pagong has implemented the dye technique of Kyoto Yuzen.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / White and Black 　 Size Chart ‍Care Instruction

Japanese Name / 富士越龍 (Fuji Koshi Ryu)

-About-

Katsushika Hokusai (1760-1849) was to spend his final years passionately making a rare collection of “free-hand” paintings, quite unlike any of his previous ukiyo-e print-works which he is most world-renowned.
Hokusai’s enduring passion to portray Mount Fuji, Japan’s sacred mountain, is a challenge he continued to pursue for his entire lifetime. The many ephocal events of his long prolific career seem to culminate in his final masterpiece, “Dragon Flying Over Mount Fuji” where we the viewer are given the rare opportunity to look deeply into the stillness and peace within the artist’s final year.

・Currency: US Dollar (USD)
・100% Silk  (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / Multi-color　Care Instruction

Size Chart

Japanese name/ 動物更紗 ( Doubutsusarasa )

-About-

The term “chintz” refers to cotton textiles with a printed design, especially flowers. This type of fabric was brought to Japan from India through the “Silk Road”. This particular pattern represents a multitude of flowers such as the peony, chrysanthemum, and imaginery flowers along side animals such as the peacock, deer, phoenix, dragon, and panther. Known as “sarasa” in Japanese, becoming a very familar pattern in Japanese culture. Japanese design styles were often combined with designs from other countries creating a new exotic blend.

・Currency : US Dollar (USD)

・100% Silk  (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Size Chart‍ ‍Care Instruction

Japanese name/燕子花 (Kakitsubata)

-About-
This exquisite pattern was inspired by a work of art in the collection of the Metropolitan Museum of Art in New York called “Irises at Yatsuhashi (Eight Bridges)”, a pair of six-panel folding screens or “byobu” by Japanese artist Ogata Korin (1658-1716) of the Rimpa school. Born and raised in Kyoto, Korin became an official painter for the royal court in 1701, with Irises being painted just after receiving this honor.

Korin’s focus on irises seems to have many hidden meanings which stem from Japanese literature written over 1,000 years ago; telling of the noble class putting the iris in high regard due to its purple color, which could purify negative energies, and protect those who wore it. The flower was also believed to bring happiness and good fortune, as well as symbolize wisdom, hope, trust, and valor; therefore becoming a pattern which is often seen used on ceremonial kimono.

We are delighted to have been given official permission to use this extraordinary painting from the Metropolitan Museum of Art in New York, to which Pagong has implemented the dye technique of Kyoto Yuzen.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / Black

Size Chart ‍Care Instruction

Pagong X Windwear Second Collabortaion

This is the second collaboration with Thai Aloha shirt brand "Windwear". The body of this Aloha shirt is made of cool rayon linen material, and the patterned parts such as the pockets are made of silk fabric dyed by artisans in Pagong.

Our second collaboration features an aloha shirt with black and violet colour combination where the inner shoulders and pockets have been silk fabric fitted with animal chintz.

The animal chintz patterns were chosen as a reflection of Thai and Japanese nature and culture.

*Regarding sizing please note:
The sizes for this collaboration shirt are cut larger than Pagong’s silk Aloha shirts.

For example: The chest-size for Pagong’sMEDIUM silk Aloha shirt is 42 inches. Windwear’s rayon Aloha shirt chest-size for MEDIUM is 44 inches.

・Currency : US Dollar (USD)
・85% Rayon  15% linen
・Classic-fit Aloha shirt
・Coconut buttons
・Wash by hand

Size Chart‍ ‍Care Instruction

Japanese name / 流水四季草花図

(Ryusuishikisoukazu / Sakai Houitsu

-About-

Sakai Hōitsu, (August 1, 1761 to January 4, 1829) was born and raised in Edo, modern-day Tokyo.

A master painter, he was also a much-beloved poet of the late Tokugawa period (1603–1867).

This exquisite painting, originally from a folding screen “Flowing Water With Plants and Flowers of the Four Seasons” has flowers which move from spring to summer on the right, and flowers moving from autumn to winter on the left.

The water flowing in the center of the painting is a symbol for the universe, purifying all difficulties.

A collaboration with the TOKYO NATIONAL MUSEUM.

Currency : US Dollar (USD)

・100% Polyester (Quick Dry)
・Made in Japan
・Classic-style Aloha shirt
・Coconut buttons
・Hand-wash

Color / Navy adn Multi-color Size Chart ‍Care Instruction

Japanese name/ 荒磯丸文 Arasomarumon

-About-

The name "Araiso" can be pronounced as "Ariso" or "Araiso." Its origin stems from "Araiso Junko," depicting carp-like fish rhythmically leaping on the waves in opposite directions. This mesmerizing pattern of carp gracefully bouncing on the waves is commonly referred to as Araiso-bun.

In this pattern, the Araiso pattern arranged in a round pattern placed between the waves along with the Hanamaru pattern. Combining the wild and heroic image of Araiso with the Hanamaru pattern adds softness, creating a pattern that combines strength and gentleness. The carp symbolizes bravery and strong faith in the face of adversity and hardship, and the flowers, which evoke kindness, encourage us as we strive toward the future.

・Currency : US Dollar (USD)

・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / Red and Multi-color Size Chart‍ ‍Care Instruction

Japanese name / おもちゃ - Omocha - Toys

This is a pattern from the early Showa period. It is a kimono for girls. It features a variety of nostalgic toys.
Taiguruma (fish-snake wheel), Kazaguruma (windmill), Inuguruma (dog-drawn cart), Hina dolls, Den-den taiko drums, Sho flutes, Hagoita (battledore), Koma (top), Buriburi (buri-buri), Hoko (floor), etc. There are many more fun toys. It is a celebratory pattern that prays for the healthy growth of children.

The Kara Uchiwa fan with a chrysanthemum pattern originates from a Chinese story, "Kikujido." It is said that Kikujido lived in a valley deep in the mountains, and lived to be hundreds of years old as a child by drinking the valley water that dripped from the morning dew on the chrysanthemum leaves. It is immortal youth and longevity. The instruments are den-den drums, sho flutes, bells, and buri-buri... musical instruments. The musical instruments are ohayashi, which make sounds to call the gods. Musical instruments are auspicious things that invite the blessings of the gods. The crown with plum blossoms on it means success in life by demonstrating literary talent. The kocho (butterfly) is a costume worn by children in gagaku when they dance at Buddhist events to appease the souls of the dead.
There is also a chapter on the kocho in the Tale of Genji, which depicts the elegant life of the dynasty and derives an image of wealth.
Since it is New Year's Day that people wear formal attire, there are also hagoita and tops, which are New Year's toys. There are also treasures . You can see jewels, gold bags, scrolls, weights, raincoats, rhinoceros horns, cloves, and seven treasures. These patterns are filled with the love of parents who wish for their children to live healthy, wealthy, and spiritually rich lives.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

・Currency : US Dollar (USD)

 Size Chart

Japanese Name/ 波に兎 (Nami ni Usagi)

-About-

The image of a rabbit running across the waves may call to mind the myth of the “White Rabbit of Inaba” from the Kojiki, in which the rabbit crosses the sea by leaping over the backs of sharks. However, this motif is also believed to be inspired by the Noh play Chikubushima.

“As the moon floats upon the sea,
does even the rabbit run across the waves?”

When the moon rises over the water and its light shimmers across the surface, it creates the illusion that the rabbit said to dwell on the moon is dancing or running upon the waves. The gently rippling reflection transforms into the figure of a rabbit in motion—so even without directly depicting the moon, its radiant presence naturally comes to mind through this design.

In ancient folk beliefs, the rabbit was regarded as a manifestation of the mountain deity associated with fertility and abundance. The moon, too, was deified as Tsukuyomi, governing time, divination, and the success of harvests. Together, the rabbit and the moon form a powerful symbol of prosperity. When combined with the enduring nature of waves, this pattern expresses a wish for a life of lasting abundance and protection.

Furthermore, the rabbit’s lively, bounding movement symbolizes leaps forward and progress. As it is said to move only ahead, it represents advancement and growth. In ancient East Asian lore, the rabbit dwelling in the moon was believed to prepare the elixir of immortality, giving it associations with longevity and eternal life.

By wearing this pattern, it is hoped that one may ride the waves of fortune and make great strides forward into the future.

Care Instruction

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / (Blue) Size Chart

Japanese name/ 甲州石班澤 (Koshu Kajikazawa)

-About-
At the age of seventy, with a career of over 50 years experience making traditional woodblock prints, Katsushika Hokusai (1760-1849), undertook making his now-famous series “Thirty Six Views of Mount Fuji”, honoring the most spiritual and sacred mountain in all Japan. The traditional technique he used was most common at the time, ukiyo-e, literally meaning “pictures of the floating world”.

“Koshu Kajikazawa”, is the name of a place between Tokyo and Kyoto where two rivers meet, the 14th print of the series, which we the viewer have the pleasure of seeing through Hokusai’s eyes.

In this masterpiece, the fisherman’s pose intentionally reflects the shape of Mount Fuji in the background, an example of Hokusai’s “signature” compositional genius, no doubt contributing to Hokusai becoming the most renown and respected Japanese artist of all time.

We have been been given official permission to use this extraordinary woodblock print from the Metropolitan Museum of Art in New York , to which Pagong has implemented the dye technique of Kyoto Yuzen.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean
・Model (6 feet)

Color / Black and Multi-color Size Chart

Japanese name /松波と鶴（しょうはとつる）

Among Japanese motifs, the crane and pine have long been a beloved combination symbolizing good fortune.

Worshipped as messengers of the gods, the crane brings happiness and joy to people.

On the other hand, the pine is an evergreen tree that remains green year-round and has strong roots in the earth. Its appearance embodies wishes for eternal youth and longevity, unwavering sincerity, and prosperity.

When these two designs come together in harmony, they represent "everlasting happiness" and "a spirit living with hope."

In "Pine Waves and Cranes," a pine tree is depicted atop gently lapping waves, with a crane dancing majestically above it.

Since ancient times, waves have been considered an auspicious motif symbolizing "everlasting energy" and the "cycle of life."

The waves' gentle swaying motion reflects the transitions of human life and nature.

The pine supports the earth with its strength, while the crane dances lightly through the sky.

While each symbolizes a different world, they resonate together within a single design,

evoking a sense of the connection between heaven and earth, and the beauty of the symbiosis between nature and man.

This pattern embodies a gaze toward both the unchanging and the ever-changing.

The tranquility of the pine, the movement of the waves, and the elegance of the cranes resonate with each other,

embodying the spirit of harmony, respect for nature, and prayers for the future that Japanese people have long cherished.

"Pine Waves and Cranes" is a design that inherits the elegance of classic motifs, but is newly drawn with a modern sensibility.

Wearing it will envelop you in a calm and dignified air,

bringing a quiet elegance and sense of security to the heart of anyone who sees it.

Care Instruction

・Currency : US Dollar (USD)

・70% Cotton / 30% Linen
・Classic-style Aloha shirt
・Coconut buttons
・Wash by hand
・Made in Japan

Color / Black

Size Chart‍ ‍Care Instruction

Japanese name / 流水四季草花図 (Ryusuishikisoukazu / Sakai Houitsu)

-About-

Sakai Hōitsu, (August 1, 1761 to January 4, 1829) was born and raised in Edo, modern-day Tokyo.

A master painter, he was also a much-beloved poet of the late Tokugawa period (1603–1867).

This exquisite painting, originally from a folding screen “Flowing Water With Plants and Flowers of the Four Seasons” has flowers which move from spring to summer on the right, and flowers moving from autumn to winter on the left.

The water flowing in the center of the painting is a symbol for the universe, purifying all difficulties.

A collaboration with the TOKYO NATIONAL MUSEUM.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color / Beige and Multi-color Size Chart

Japanese name / 龍と麒麟 - Ryu to Kirin

-About-

This auspicious pattern, depicting a dragon and a Kirin facing one another, has long been cherished as a symbol of harmony between heaven and earth and the union of power and virtue.

The dragon is a sacred being believed to ascend to the heavens, summon clouds, and bring life-giving rain. Often associated with thunder and the sky, it has been revered as a manifestation of celestial power.

In contrast, the Kirin is known as a benevolent and gentle guardian, said to herald times of peace and wisdom. Though it bears horns, it is believed to possess such compassion that it would not even harm a single living creature.

Traditionally, the dragon represents the energy of the heavens, while the Kirin embodies the virtue of the earth. When these two stand together, they express the moment when heaven and earth are united. The vermillion bridge at the center symbolizes connection—between sky and land, humanity and nature, and differing forces brought into balance.

The scene of the dragon and Kirin facing one another captures the meeting of strength and virtue, merging in harmony and giving rise to renewal and new beginnings.

The mountains and waves in the background reflect the rhythms of nature and the flow of life, while blooming peonies symbolize prosperity, abundance, and noble grace.

Softly drifting clouds carry auspicious signs, lending depth and quiet movement to the composition.

This design reflects the refined elegance of classical court aesthetics, later echoed in ceremonial and performance garments, and is distinguished by its dignified and timeless beauty.

Within this composition, where the dragon and Kirin form a single world, there lives a quiet wish—that celestial power and earthly virtue may intertwine, bringing peace, balance, and prosperity.

Care Instruction

・Currency : US Dollar (USD)

・70% Cotton / 30% Linen
・Classic-style Aloha shirt
・Coconut buttons
・Wash by hand
・Made in Japan

Size Chart ‍Care Instruction

Color / White and Multi-color

Japanese name / 孔雀 (Kujaku)

-About-

Peacocks are admired for their striking beauty and graceful presence. With their flowing silhouettes and richly layered feathers, they bring a sense of elegance and quiet grandeur to any design.

Their most distinctive feature—the long, radiant tail—creates a dramatic sense of movement and rhythm. When spread, it forms a captivating display of repeating eye-like patterns, giving the motif both depth and visual richness.

In design, peacocks have long been associated with beauty, dignity, and a sense of refined luxury. Their presence adds a feeling of celebration and splendor, making them especially suited to garments intended to stand out with quiet confidence.

In this pattern, the peacock is often depicted with its tail fully extended, allowing its intricate forms to unfold across the surface. The composition balances boldness with delicacy, as each feather contributes to an overall harmony of line and flow.

As a motif, the peacock expresses not only visual brilliance but also a sense of protection and positivity. It carries an atmosphere of elegance, prosperity, and graceful strength—making it a timeless and captivating design element.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Size Chart ‍Care Instruction

Color /Beige and Multi-color‍ ‍

Japanese name / 京涼の団扇（Kyoryō Uchiwa）

-About-

The Kyoryō Uchiwa design captures the essence of Kyoto’s summer scenery.

Inspired by Kyoto-style uchiwa fans, long cherished in daily life as symbols of comfort and coolness, this design expresses Kyoto’s distinctive elegance and the longing for purity and serenity amid the summer heat.

The overlapping fans are adorned with seasonal motifs such as morning glories, goldfish, flowing water, and dancing figures, evoking the vibrant atmosphere of summer.

Each element reflects the changing seasons and carries prayers for happiness and peaceful living.

The auspicious kanji depicted within the fans convey the following meanings:

「魁」 (Sakigake) — to lead the way, to stand at the forefront, and to guide an era forward.

「翔」 (Shō) — to soar freely through the open sky, transcending limitations and rising toward one’s dreams.

「賑」 (Nigiwai) — signifying liveliness, abundance, and prosperity, expressing the joyful gathering of people and the fullness of happiness, much like a festival.

The layered composition of the fans suggests the gentle flow of passing breezes and the quiet passage of time.

It depicts the interplay of light and shadow on summer days, the prayers woven into everyday life, and tranquil moments shaped by people and the wind.

Since ancient times, uchiwa fans have been regarded as auspicious objects, believed to invite good fortune and ward off misfortune. This pattern carries a wish that pure breezes may bring calm and clarity to the heart.

To express the unseen wind as beauty—this is a sensibility passed down through generations of Kyoto’s artisans and artists.

Kyoryō Uchiwa brings this appreciation of the invisible into the present, offering gentle coolness and quiet healing within the summer air.

Like a soft embrace of Kyoto’s summer, this design delivers a tender breeze to the wearer’s heart, adding peaceful blessings to everyday life.

・Currency : US Dollar (USD)
・100% Silk (Custom-woven Jacquard )
・Made in Japan
・Classic-fit Aloha shirt
・Coconut buttons
・Dry-clean

Color/ Navy and Multi-color Care Instruction

Japanese name/ 梅と桐 - Ume to Kiri

-About-

The Story of the Plum & Empress tree ( Paulownia )

At the foundation of this design lies the “Asanoha” (hemp leaf) pattern, a geometric motif based on repeating hexagonal shapes. Its name comes from its resemblance to hemp leaves, a plant known for growing strong, straight, and quickly. Because of these qualities, Asanoha has long symbolized healthy growth and was often used in garments for children as a wish for strength and vitality.

In this pattern, large Asanoha forms create a bold base, upon which equally striking plum blossoms and paulownia motifs are arranged. The generous scale and confident composition give the design a powerful presence. Its vivid colors and dynamic layout reflect a time when kimono designs became increasingly expressive and decorative.

Plum blossoms have long been cherished as auspicious symbols. Blooming in the cold of winter, they represent resilience, renewal, and the quiet arrival of spring. Their delicate fragrance and enduring strength make them a timeless emblem of beauty and perseverance.

The paulownia motif adds a sense of dignity and refinement. Traditionally associated with nobility and elegance, it has been regarded as a prestigious symbol, admired for its graceful form and cultural significance. Over time, it has come to be widely used as a motif representing honor and sophistication.

Together, these elements create a striking harmony—geometric structure balanced with organic form, strength paired with elegance. The bold scale of the design gives it a modern presence, while its motifs remain deeply rooted in tradition.

The result is more than a pattern — it is a powerful expression of growth, resilience, and refined beauty.

・100% Polyurethane
・Made in Japan
・Dry-clean
・Use pressing cloth to iron
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color/ Black and Multi-color Care Instruction

Japanese name/ 牡丹と菊 - Botan to Kiku

-About-

This pattern reflects the period around the early Showa era, a time when people dreamed of prosperity during years of rapid growth. It is a brilliantly ornate kimono design, suitable for young women to wear on formal occasions.

Centered around the peony—known as the “king of flowers”—a multitude of blossoms bloom in harmony, expressing wishes for peace and prosperity. The design follows the tradition of hyakkazu (a “hundred flowers” motif), symbolizing abundance, elegance, and a harmonious world.

A collection of classical auspicious flowers is beautifully arranged, while the Bishamon-kikkō pattern is stylized to resemble a decorative flower basket, creating the impression of a luxurious ikebana arrangement.

・100% Polyurethane
・Made in Japan
・Dry-clean
・Use pressing cloth to iron
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color/ Beige and Multi-color Care Instruction

Japanese name/ けし - (Keshi)

-About-

Poppies are admired for their delicate beauty and fleeting bloom, opening softly before quickly fading. Their gentle movement in the wind and their ever-changing forms—from drooping buds to fully opened petals—create a sense of quiet vitality and transience.

In this design, poppies are depicted with a painterly touch, capturing each stage of their life. Buds just beginning to open, fully blossomed flowers, and distinctive seed pods appear together, creating a natural rhythm across the composition.

Fine details, such as the veins of the leaves and subtle irregularities, add depth and realism, giving the pattern a lively, almost breathing presence. The flowers seem to sway gently, as if caught in a passing breeze.

Rather than a purely decorative motif, this pattern feels like a scene captured in time—an expressive blend of movement, fragility, and natural beauty. It carries a soft elegance, celebrating the fleeting moments of life with quiet sophistication.

・100% Polyurethane
・Made in Japan
・Dry-clean
・Use pressing cloth to iron
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color / Purple and Multi-color Care Instruction

Japanese name/ 百年の鶴 (Momotose No Tsuru)

-About-

In Japanese mythology, the tsuru, or crane, comes from Mount Horai in heaven, and carries happiness and good fortune to earth. Since the crane was believed to live 1,000 years, in Japan it is revered as a symbol for resilience, strength and long life.

The matsu, or pine, in reality, CAN live for up to 1,000 years; therefore it is also a symbol for long life, as well as strength.

The ume, or plum, always blooms during the harsh, cold winter; signifying vitality, and life-force.

In 2019, in order to celebrate the 100th Anniversary of our founding company Kamedatomi LTD, this exquisite pattern was especially chosen to represent our sincere wish for everyone:

“One Hundred Years of Happiness, Continued Good Health, and a Long Prosperous Life“.

・ 100% Silk
・One-Size-Fits-All
・Made in Japan
・Dry-wash
・Currency : US Dollar (USD)

Color / Light Blue and Multi-color Care Instruction

Japanese name/ 雪中雄鶏図 ( Setchu Yukei-zu )

-About-
Jakuchū Ito (March 2, 1716 to October 27, 1800) was raised in the Nishiki area of Kyoto during the “golden age of art” of the Edo era, before Japan opened its doors to the outside world.

The eldest son of a wholesale vegetable merchant, Jakuchu was self-taught, and passionate about painting from childhood. A student of Buddhism at the Shokokuji Zen monastery, he devoted himself to the art of painting, taking inspiration from the temple’s collection of Chinese Yuan and Ming dynasty paintings.

He made thorough sketches of all natural phenomena, especially chickens and roosters, which he used to keep at his home as pets, in order to closely observe and study their nature.

This is Jakuchu’s earliest known painting, created in his thirties when he was still actively working in his family’s business. In a playful style which he would become known for, Jakuchu depicts a lone rooster pausing for a moment, aloof from the world, searching for food among the thickly-piled snow.

The rooster is considered a creature of virtue, and in this outstanding rendering, Jakuchu’s meticulous attention to precision and detail bring the subject to life.

At Pagong, in celebration of the 300th anniversary of the birth of Jakuchu Ito, we wish to breathe new freshness into this masterpiece with the use of a kimono dyeing technique called Kyo-Yuzen.

~A collaboration with the Hosomi Museum, Kyoto.

・ 100% Silk
・One-Size-Fits-All
・Made in Japan
・Dry-wash
・Currency : US Dollar (USD)

Color / Navy Care Instruction

Japanese name/ 唐獅子牡丹 ( Karashishibotan)

-About-

Karashishi are mythical beasts first introduced to Japan from 7th or 8th century AD, during the same period as Buddhism’s transmission to Japan. “Shishi” (or Jishi) is translated as lion but it can also refer to a deer or dog with magical properties and thepower to repel evil spirits. “Kara” is meant to suggest something of East Asia origin.

Traditionally depicted in pairs, statues of Karashishi stand guard outside the gates of Japanese Shinto shrines and Buddhist temples; one with mouth open and one with mouth shut; as symbols of protection. The opened/closed mouth relates to Ah (open mouth) and Un (closed mouth). “Ah” is the first sound of the Japanese alphabet, while “N” (pronounced “un”) is the last. These two sounds symbolize the beginning and the end, birth and death, and all possible outcomes (from alpha to omega) in existence.

It is also said the open mouth is to scare off demons, and the closed mouth to shelter and keep in good spirits. In sculptures, the circular object often beneath their feet is the “Tama”, or sacred Buddhist jewel, a symbol of Buddhist wisdom that brings light to darkness and the power to grant wishes.

At Pagong Kyoto, our artisans implement the technique of Kyoto-Yuzen, to bring to life the delightful spirit and tradition of the Guardian Beast “Karashishi”.

・100% Premium Cotton
・Made in Japan
・Hand-wash
・Hang to dry
・Currency : US Dollar (USD)

Color / White and Multi-color Care Instruction

Japanese name/‍ ‍きのこ (Kinoko)

About-
The mushrooms are drawn in a graphic design style, like illustrations in printed matter. This trend of drawing mushrooms in this way began in the Taisho era but became more popular before and after the war. After the war, the motifs also moved away from traditional flowers and birds and became more Western-style motifs and modern expressions influenced by European textile design.　

・100% Premium Cotton
・Made in Japan
・Hand-wash
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color / Black Care Instruction

Japanese name/ 紫陽花 (Ajisai)

-About-

Hydrangeas, native to Japan, include a variety called "Gaku hydrangea," which has been integrated into Japanese culture since ancient times and is mentioned in the Man'yoshu.

The flower's color changes with soil pH, giving it the nickname "Shichihenge" or "seven changes." Notably, large blue-purple flowers have been popular since the Edo period and are common motifs in ceramics, lacquerware, kimonos, and yukata, evoking early summer.

A poem in the Man'yoshu expresses a wish for a loved one’s prosperity, likening it to the layered blooming of hydrangeas. This imagery symbolizes deep connections between people, suggesting that the beauty of blooms and dew may inspire enduring bonds.

・100% Premium Cotton
・Made in Japan
・Hand-wash
・Model (5 feet, 3 inches)
・Currency : US Dollar (USD)

Color / Black,Blue and Navy Care Instruction
Japanese name/ 曜変天目 (Yohen Tenmoku)

-ABOUT-

Each is only 12 centimeters, less than 5 inches across, but inside is what seems to be “a galaxy aglow with stars”…

There are only three intact centuries-old Yohen Tenmoku tea bowls known to still exist in the world. The bowls are believed to have been produced at Jian-yao kiln in China’s Fujian province during the Song dynasty (1127-1279).

Although it wasn’t until the Muromachi era (1338-1573) when the custom of tea began to take root, they were brought back to Japan as a gift by a Japanese Zen monk who was receiving training at Tianmoku mountain, pronounced “Tenmoku” in Japanese, in China’s coastal Zhejiang province.

The Tenmoku type are black glazed bowls with the inside surface covered with iridescent patterns and lapis lazuli colored areas surrounded by lighter colors ranging from blue to bluish purple.

The meaning of “Yohen” describes the glistening pattern which transforms with light, and created while the bowls were being fired, the method in which this was done remains unknown, but it is thought to not be reproducible. The Yohen Tenmoku bowls are known as the highest grade of Tenmoku-ware, and considered to be the most precious pieces among black tea bowls produced at Jian kiln.

In recent years, fragments of Yohen Tenmoku were excavated in China from the site of the imperial guesthouse in Lin’an (Hangzhou) which used to be the southern capitol during the Song Dynasty; this discovery getting much attention world-wide.

At this time, one bowl is owned by Ryoko-in, a sub-temple of Daitokuji Temple in Kyoto, a second is owned by the Fujita Museum of Art in Osaka, and a third is owned by Seikado Bunko Art Museum in Tokyo; all three being designated by the Japanese government as Important National Treasures.

It is a great honor and brings us much joy for Pagong Kyoto to have been selected to replicate these ancient patterns of the Yohen Tenmoku by the Seikado Bunko Art Museum in Tokyo, to be admired and appreciated by art enthusiasts once more!

・Size 25.5 x 25.5 (inches)

・100% Silk
・Made in Japan
・Dry-clean
・Currency : US Dollar (USD)

Color / Yellow, Brown and White Care Instruction
Japanese name/ カトレア

-About-

・Size 75 x 41 (inches)
100% Wool
・Made in Japan
・Dry-clean
・Currency : US Dollar (USD)

Color / Black and White Care Instruction

Japanese name/ 乱菊 ( Rangiku )

-About-
Starting from the late Taisho era (1912-1926), more modern and exuberant patterns became fashionable in Japan. This depiction of “dancing” chrysanthemums was made during Japan’s “Art Nouveau Movement”, and became a very popular design for those who wished to represent the fashion style of a new era.

Kiku, or chrysanthemums, were introduced to Japan from China in the Nara-era(710-794. In Japan, the chrysanthemum has become a symbol for the emperor and appears on the Japanese imperial seal.

In the language of flowers, the chrysanthemum carries the symbolic meaning of devoted love, loyalty, happiness, longevity, and joy.

・Size 43 x 42.5 (inches)

・100% Silk
・Made in Japan
・Dry-clean
・Currency : US Dollar (USD)

Japanese name / 富士越龍 (Fuji Koshi Ryu)

-About-

Katsushika Hokusai (1760-1849) was to spend his final years passionately making a rare collection of “free-hand” paintings, quite unlike any of his previous ukiyo-e print-works which he is most world-renowned.
Hokusai’s enduring passion to portray Mount Fuji, Japan’s sacred mountain, is a challenge he continued to pursue for his entire lifetime. The many ephocal events of his long prolific career seem to culminate in his final masterpiece, “Dragon Flying Over Mount Fuji” where we the viewer are given the rare opportunity to look deeply into the stillness and peace within the artist’s final year.

・Size：2.8 × 2.8 × 7.9 (inches）/ Mass : 0.51 lbs / Caliber : 1.9 (inches）
・Made in Japan
・Currency : US Dollar (USD)

Japanese name / 御所解 (Goshodoki)

-About-

From the Heian period through the Kamakura period, ox-drawn carriages used by aristocrats during court ceremonies were known as Goshoguruma. Their elegant form became one of the most iconic motifs of the dynasty style. Often depicted alongside seasonal flowers, the design conveys an atmosphere of refinement and opulence.

This particular pattern incorporates the five traditional Japanese colors as well as ma-iro tones, evoking the graceful beauty of Heian court life as described in The Tale of Genji.

Drawing inspiration from themes in Noh theater and stories from the imperial era, it presents a landscape rich in perspective—palaces, ox-carts, and fans harmoniously arranged against flowing water and blossoms—symbolizing the elegance and cultural sophistication of Japan’s classical age.

・Size：2.8 × 2.8 × 7.9 (inches）/ Mass : 0.51 lbs / Caliber : 1.9 (inches）
・Made in Japan
・Currency : US Dollar (USD)

Japanese name / 龍神 (Ryujin)

-About-

A deity of the sea in Japanese mythology, RYUJIN or “Dragon God”, has the powerful capability to transform into a human shape, and is the master of serpents. With his magic jewels he is responsible for the tides, and represents both the perils as well as the bounty of thesea.

Ryujin is one of the eight dragon gods which were originally imported from Indian mythology via China and Korea. His residence is in a palace beneath the sea or in a lake of an extinct volcano. The depths of Lake Biwa, north-east of Kyoto, are often cited as the home of Ryujin.

・Size：2.8 × 2.8 × 7.9 (inches）/ Mass : 0.51 lbs / Caliber : 1.9 (inches）
・Made in Japan
・Currency : US Dollar (USD)

Japanese name/ Dotouzu Onami

-About-

Katsushika Hokusai (1760-1849), an ukiyo-e wood-block print artist and master painter of the Edo era, was invited to Obuse by Takai Kozan, a wealthy farmer and merchant.
During his 3-year stay, 86 year-old Hokusai was asked to paint several masterpieces for the ceilings of festival floats. “Masculine Wave“ (Onami), and “Feminine Wave“ (Menami) were painted for the ceiling of the “Kanmachi”, festival float.

In “Masculine Wave“, the surging crest of a huge wave and the power of the ocean are delightfully expressed with hand-drawn lines, evoking Hokusai’s spirited character and inner strength.

A collaboration with the Hokusai Museum (Obuse, Nagano).

A tenugui (手拭い) is a traditional Japanese decorative towel made from thin and light cotton. It dates back to the Heian period or earlier. By the Edo period, tenugui became what they are today; about 35 by 90 centimeters (14 by 35 in) in size, plain woven, and almost always dyed with plain color or some pattern. The long sides are finished with a selvage, while the short sides are left unfinished to allow fraying.

Tenugui is traditionally used, tied in a specific manner, as a sling to wrap and carry bento boxes. Similarly, they're used to wrap items such as bottles. They are also used as hand towels, and often as headbands, such as for Kendo. They are widely used simply as souvenirs or decorations. Although tenugui were once used as dishcloths, today Western-style thick or terry cloth dishcloths have generally replaced tenugui for dishcloth use.

・Cotton 100%
・35 x 14 inches
・Dyeing method-Kyo-Yuzen
・Wash separately
・Do not soak, line-dry.
・Made in Japan
・Currency : US Dollar (USD)